In this week’s episode of the show: Joe takes a look at the blending of film score writing across different cultures into the sci-fi plot of Beyond Good & Evil and Peter delves into the Victorian chamber orchestra insight of Austin Wintory's work on Assassin's Creed Syndicate.
TIME STAMPS:
3:13 - GAME 1: BEYOND GOOD & EVIL
16:40 - Composer History: Christophe Héral
26:22 - Critical Track #1
28:31 - Critical Track #2
30:19 - Critical Track #3
32:40 - Critical Track #4
37:00 - Critical Track #5
39:36 - Cutting Room Floor
43:19 - Transition
44:11 - GAME 2: ASSASSIN'S CREED SYNDICATE
57:35 - Composer History: Austin Wintory
1:13:24 - Critical Track #1
1:15:17 - Critical Track #2
1:18:24 - Critical Track #3
1:20:38 - Critical Track #4
1:22:43 - Critical Track #5
1:25:54 - Cutting Room Floor
1:31:53 - Outro
Original Soundchat is a production of Anonymous Dinosaur and Rhymes With Asia